Notebook pages showing the first title of and early notes toward the pivotal, experimental, multifaceted poem "The Thousand and Second Night," which was based partly upon Merrill's Bell's palsy experience. These notes capture Merrill's uncertainty…
Holograph and typescript fragments toward and three full drafts of "Self-Portrait in a Tyvek Windbreaker." A play on John Ashbery's "Self-Portrait in a Convex Mirror," and published in A Scattering of Salts, it is one of the longest poems of…
"Mirror" was published in The Country of a Thousand Years of Peace. Included here is one typescript among 11 total pages with holograph notes and alternative titles. It was inspired by the Ephraim séances and is commonly held to be Merrill's…
In this popular poem, Merrill reminisces about the summer of 1937, waiting for and then working on a jigsaw puzzle with his governess, Zelly, and her teaching him "her languages." "Lost in Translation" is often cited as Merrill's greatest short poem.…
This typescript draft page (one among 265 draft pages) centers on James Merrill comforting Psyche (and himself) over her (and his) realization of the limitations of love and self-knowledge. "From the Cupola" was published inNights and Days.See also…
A three-page draft of an unfinished, untitled poem from winter 1992 addressing Elizabeth Bishop. It is an "uncharacteristically awkward" but powerful poem about "raw life" prevailing over "graceful art."
Various drafts of "Days of 1994," the fifth in James Merrill's "Days of" series, completing his homage to Greek poet Constantine P. Cavafy. "Days of 1994" revolves around approaching death and what he will leave behind. Included here are five of a…
"Days of 1964" was published in Nights and Days. Included here are two typescript draft pages (of a total thirty-two manuscript pages) with holograph corrections, drafts, and sketches. The poem documents his life in Greece and love for Strato…